Showing posts with label Flashbacks. Show all posts
Showing posts with label Flashbacks. Show all posts

Tuesday, April 21, 2020

Holocaust Memorial Day

Hebrew: Yom Hasho’ah- יוֹם הַשׁוֹאָה

Challenging times, such as we're enduring now,  befall humankind periodically. Unlike our current global trial, some are utterly of our own making.


Israel observes Holocaust Memorial Day on the anniversary of the brave and doomed Jewish uprising of those who remained in the Warsaw ghetto. The dates were April 19-May 23, 1943. It is an attempt to paint the catastrophe not only in terms of annihilation, but recognize the enormous heroism of the perished and the survivors. Thus, the day’s full name is Holocaust and Heroism Remembrance Day.


All over Israel, this commemoration happened today. Every year on this date, at eight in the morning and eight in the evening, the sirens blare and the country comes to a standstill. People bow their heads in silence.
My memory of this day when I grew up in Israel was that the air was unbearably heavy and even lifting my head was an effort. It was a very recent event then, even if to a child it already felt like history. It was also personal, as I’m the child of a sole survivor who had no living relatives on her father’s side.



Israel chose to put equal emphasis on the heroism of those dreadful years. Internationally, the day is commemorated on January 27, the date of the liberation of the Auschwitz-Birkenau concentration camp by the allied forces. Obviously, the international community puts emphasis on their act of triumph over this evil.



Personally, I never bought the heroism angle, nor the emphasis on the allies’ role. Most Jews didn’t rebel or survive, and the allies didn’t enlist to save Jews, but responded to a military aggression by the Germans and their alliance. Both choices of how to commemorate this chapter are attempts to re-paint this horrendous time with emphasis that serves the purpose of seeing ourselves as we wish to be seen.



For me, this day is a reminder of the ever-present human capacity for evil. Most days most folks don’t want to recognize it. I understand, because I am no different. I push away the notes of the darkest shadows of our species almost every day, choosing to not fully see it. But one day a year, there is no escape for me.


The Talmud says, “The greater a man is, the greater his capacity for evil.” So on this sad Remembrance Day I know the depth of darkness has a symmetry in how much we can also rise. But I will contemplate the side of light tomorrow. 
Today I reserve for unmitigated sadness.

Tuesday, January 14, 2020

This Date in Personal History


Ever wake up, note the date, and think there is something about this date that is meaningful, something you should remember, do, or register. Something important...
But nothing pops into your conscious mind. Nothing even crawls in. Nothing.


I have that feeling every few months. I wonder if the birthday of a friend from long ago (like elementary school) or some appointment or work deadline I was supposed to meet is causing this sensation. Maybe. Probably. Who knows?


And this is when I go to this date in history. When all else fails, I feel a need to connect with the collective consciousness.


So on this date in history, the fourteenth of January, in the year 1601, church authorities in Rome burned Hebrew books. Oy vey. Sadly, not the last time this would happen.
On a positive note, in 1878 the U.S.A. Supreme court ruled race separation on trains unconstitutional. It would take eighty-five years for this to sink in some states, but it’s progress.
And on this very date in 1979, President Carter proposed Martin Luther King Jr. Day.  


I still can’t connect to the date’s personal thingamajig, but I’m satisfied.

{Last year’s, ^ but I love it}

Have a wonderful day!

Tuesday, September 25, 2018

Why REALITY is All the Rage


When James Frey couldn’t sell his excellent story (A Million Little Pieces) as fiction, he presented it as nonfiction and it sold with an explosive marketing campaign. What followed was Oprah’s endorsement and NYT bestselling status until...

A website called The Smoking Gun exposed it as fictional, after all.



Every story has some of the writer’s reality in it. But if you label it non-fiction, you should stick very closely to documentable events. Where you take liberties, such as name changes to protect people or omissions for the sake of expediency, you must acknowledge this right off the bat.



Even when reading fiction, the reader wants it to be real. We secretly think that though the writer states this is a work of fiction, it’s *likely, mostly, basically, please-be* a true story.



This is why the how-to books admonish not to start a story with a dream sequence or a flashback. A reader invests in what is happening, only to find out it was just a dream or something that happened long before the main narrative. Na-ah. Not nice. Don’t do it to them.



Readers want that “happening now” feel, an exclamatory phrase CNN uses with abandon. It is much easier to sell a story if the storyteller prefaces it with BASED ON A TRUE STORY.



Long ago, the sight of an old Victorian house in an adjacent town inspired me to imagine a ghost story that could have occurred in it. Actually, I based the story on something a friend told me did happen to the family that lived there.

The next time I walked by with my kids, (then five and eight years old) I told them the story. Don’t be alarmed, it was a kid-friendly version. They were riveted.

{Full disclosure: photo is not that very house^ but one very similar looking J}



Then the question came. “This I a true story. Right, Mom?”

The way they phrased the question begged me to lie. But they were my kids, not some nameless unseen readers. I told the truth.

“Well, no. I made it up. But the house inspired it.”

The instant deflation of their spirits testified to how much it mattered.



There are ways to sort of get around this.
Think of the lines that precede the first chapter of The Da Vinci Code. It’s a list of two little-known things that are factual, investing the reader in what is a work of fiction.
The Movie (and made for TV series) Fargo begins with “this is a true story,” but phrased in an enigmatic way that works as a disclaimer, too.






Because if we are to follow a narrative we need to believe it. At the very least, we need to have our incredulous nature suspended for the duration.