Tuesday, March 26, 2024

A CURIOUS ANIMAL CALLED “AUTOFICTION”

 

Some months ago, a post about Autofiction popped into my feed. Here it is, for reference.

 

Succinctly defined, it’s an autobiographical story that is then fictionalized. In many ways all fiction draws from the writer’s life, but in autofiction the connection is much tighter. Call it fictionalized autobiography.

 

(As an aside, much in published autobiographies is also fictionalized, as the author attempts to justify, obfuscate, and shape their past reality— whether as an act to deceive or an act of self-deception.)

 

In other words, the lines are blurry at best. Maybe this is why I was unfamiliar with the notion of “autofiction.”

 

My published novel, The Voice of Thunder, was called by one reviewer “fictionalized autobiography.” Fair enough. It began as a short non-fiction memoire and morphed way off course into fiction. All my work draws from my life, even talking animal stories.

 

But just a couple of years ago I had the true experience of writing autofiction.

 

An injurious event I had lived, while deep into the Covid pandemic when the world had shut down and many suffered more real existential hardships, was the inexplicable and abrupt end of a seventeen-year friendship. My former friend just informed me she never wanted to hear from me again, no further explanation.

 

If you’ve had this happen to you, you know how injurious this is. But it was a first for me and I was ill prepared. In a time where social contacts were already strained by governments everywhere, this was especially hurtful.

 

I had a lot of time to mull over how I had gotten myself into this predicament, and how my judgment regarding this friendship had been so off mark. I was eager to take responsibility in every way I could, because I have power only over what is up to me.

 

Still under various degrees of quarantine, I had the time and the impetus to try and solve this mystery by--- yup, writing a fictional story about a friendship that turned out to be an illusion. Or was it a delusion? That was but one of the many questions.

 

The writing itself would reveal and also serve to heal.

 

After many revisions, I’ve started querying this story, which turned out to be much more fictional on the surface, as they all do. It’s a good story and its setting befits the world I write about, that of much younger readers in middle school.

 

But the theme still holds strong. Who is a friend? How do you know a friendship is true? What do we make of friends who behave like frenemies?  

 

So, before I knew the term autofiction, I wrote it. Now I also have the writerly word for it.

Tuesday, March 19, 2024

CAT INDULGENCES

 

Once again, I’m allowing myself a post that celebrates my cats, with your indulgence. It helps that the goofy celebration of Purim is around the corner. πŸŽ‰

 

A few years ago, a friend who is not a feline fancier, asked me if having my cats makes moments of defeat better tolerated.

 

I remember my answer, which stands to this day. “They make EVERYTHING better.” 😻

{All right. Maybe first-drafting, with their playful paws trying to catch my typing fingers, is the exception}

 

So, I owe them. 😼😺😻

 

The curly font (sorry if it’s not fun to read) reflects their sensibilities. They insisted I use it here.




🐱🐱🐱

Tuesday, March 12, 2024

The THEME

 

I know I’ve posted on this before, though it’s been a while.

Good stories have an underlying theme, or themes.

We know the how-to advice, that strong stories are better born of strong characters, and the more generic/commercial stories are born of a plot arc.

 

For me, almost all stories are incepted from themes, and as I draft, I keep the theme front of mind.

 

Pivotal themes in picture books are family, the nature of nature and other man-made creations, feelings such as sadness or joy, and concepts such as numbers/colors/letters.

For middle grade readers (ages 8-12) central themes are friendship, family, school struggles and, as the perennial for all ages, the nature of our world, i.e., reality and our place in it.

 

I got to thinking about it again as I read this post here.

 

I know what themes I want to explore. Then, I choose the persons who would go on this exploration (protagonist and antagonist) and their side characters usually emerge as the plot unfolds. Mechanics of plot are so well researched in how-to books that this is the smaller, less demanding part of drafting.

 

Most storytellers don’t follow this order of construction, but I offer it as yet another way.


Tuesday, March 5, 2024

CONFLICTING ADVICE

 

Re-reading this post, I thought how hard it is to know, really know, which advise to follow when one opinionator differs from the other.

 

This is a perennial problem. It’s felt keenly when the less experienced ask for guidance from the more experienced. This is a universal dilemma which we encounter in every field and every matter.

 

Gone are the days when “father knew best” and adults were authorities on every issue under the sun. Besides, having grown up and now being one of those adults, means the final judgement is ours, and we own it.

 

The world of knowledge is complex, so we turn to experts. But, oh my, the experts don’t agree. Even if “most” (by whose measure?) say one thing, who’s to say the minority isn’t more correct? It’s happened before, countless times.

 

Here’s where I stand: I ask. I listen. I let feedback and information rest for a time and settle. Then I do what feels right to me.

 

Because, like the referenced post says, it often comes down to taste and sensibilities. We have to live with ours.