Should a Writer Have a Website?

 

The question of what sort of web presence a writer should have comes up regularly on chat boards.

I’m not a fan of shoulds. If you’ve read my past posts, you probably know that. I won’t deny the discomfort I felt when I first made a website with my name domain. Touting one’s work and personal self feels weird and also somewhat unseemly.

But I also think there’s gigantic cognitive dissonance in wanting to be published (i.e. make public) and at the same time wanting to personally hide.

Unless you dream of doing a J.D. Salinger act, which means writing a classic and then disappearing as an ever-growing mystic aura radiates from the mention of your name, writing to publish means having some public presence. This is true for traditionally published authors, aspiring writers, and even more for the self-published who effectively become publishers and marketers.

While social sites are nice places if you like such hangouts, there is no substitute for a site you control under your own name. I think this post by agent Jennifer Laughran says it well, in her own take no-prisoners verbiage.

 

A few common reservations you can wipe off the deck immediately:

*It doesn’t have to cost much, though free options are not as good for various reasons. There are many inexpensive options that won’t force ads or a domain of the hosting company.

*It doesn’t require hiring a professional web designer. Nice to do (and worthwhile) if you are independently wealthy or already successfully published. But most web hosting services have templates that are intuitive and even non-techies like me can work with.

* It doesn’t have to blow anyone’s socks off, like the sites of famous bestselling authors. Start small and plain, but start.

 

Your website, under your own domain name, is your bit of real estate in the digital world. It’s a place to see you, (photo, please) your books if you have any, and a way to connect.

 

Of course, you don’t have to. You don’t have to write or publish anything. You only have to eat, drink, sleep, and try to be kind to others. But if you wish to share your work, get thee a website.

©From Author Vashti Harrison’s site

Facebook Friendships et al

Most of my Facebook friends are colleagues, and most are not people I have met in real life. I especially enjoy the artists/illustrators posting their wonderful work and the kid-lit writers who post well-worded witty status reports. I know of them, but this is not the same as knowing them.

Facebook has been a miraculous connector to people from my past, half a world away. It’s been the most convenient way to message my kiddos, also half a world away. Maybe 20% of my Facebook friends are people I have met outside of the virtual space, and I designated them as “close friends” per Facebook lingo, as opposed to “Acquaintances.”

I get friend requests almost every day. It used to be enough that we had many friends in common (always kid-lit related) and I could find something about them on the internet to verify they were the real deal. But I have learned that isn’t enough, through some less than positive experiences.

So, if you want to friend someone, may I suggest that –

A.    You have a photo of your face (not a flower or your dog) as your profile picture

B.     You make sure to have a banner photo, not a black hole, and hopefully your banner is personal

C.     You are not selling “Author Services” or “Life Coaching,” because this is essentially spam even if you are a real person doing this one friend request click at a time. I’m not arguing with colleague friends who approve these sorts of friend-requests, (as I can see on the request that we have hundreds of friends in common) but it’s not for me, thank you

Otherwise, I look and carefully approve individuals who in some way may contribute to the life of my Facebook community, and I love hearing about the many blessing (as well as join in the struggles) shared on the site. 

I have come to value what Facebook offers.

P.S. The banner^ is a screenshot of the old "classic" Facebook formatting, which I prefer for not putting my face at the center. Alas, like everyone else, we've been switched to the new and improved (?🙀?) header. But this will serve as a memorial to what was 😿

WHO IS THE READER?

When my father lectured university age students, he told me that in his mind he would focus on one student as he talked. This made it possible to impart what general thoughts and wisdom he had while keeping the thread personal.

Keeping a personal narrative is essential to have it be a compelling and emotionally evocative voice. Fiction writers know this is vital to good storytelling.

Who is the reader? I realized long ago that, for me writing for younger readers, the reader is who I was back then at the intended reader’s age.

Only it isn’t really. I see through a lens of my understanding of now. Obviously, this is not the real young me of then, but who I have come to think I was.

Confusing?

The attempt to reach a reader is always an act of faith. You can’t hold it in your hands and verify the path with your eyes. Faith, augmented with hope, is the engine that drives the telling of a fiction story to a fictional reader.

The goal is one—

Saying “hello there,” and hoping to connect with you.