It’s a Walk in the Park

Or, actually, a stroll.

I woke up this morning, itching for some jolly good news.

The usual sources didn’t yield it. But, alas, a peculiar old song crept into my parched mind and made my day.

 

Strolling Through the Park

 

While strolling through the park one day
In the merry merry month of May
I was taken by surprise
By a pair of roguish eyes
I was scared but I didn't run away

He walked along so daintily
Moving as graceful as can be
His legs were like the trunks of trees
I hardly came up to his knees
He looked at me again
And I knew we would be friends
He's just a little bigger than me!

He had the cutest baby too
About as old as me and you
Maybe soon one day
We could all go out and play
And be friends with one
Elephants in the park

He walked along so daintily
Moving as graceful as can be
I though I'd seen a lot of things
From New York to Colorado Springs
From his tail up to his trunk
From the back up to the front
The elephant is so astonishing
This elephant is so astonishing
This elephant is so astonishing

 

 

You can hear a bit of this marvelous ditty here – or here—

 

And then go on whistling, because—NEWS FLASH— this is The Merry Merry Month of May~~~

 

It’s been that^ for over a hundred years, so who needs the news.? It would manage a dark take on it anyway...

I’ve Died and Gone to Heaven

Almost ten years ago, when my daughter (though only ten years old then) already set her path as a pianist, I told her what I wanted her to play at my funeral. It was not a morbid conversation, but rather my way of pointing an exquisite piece of music to her attention.

You can hear it on this link, played with beautiful restraint by Dinu Lipatti—

https://www.youtube.com/watch?v=-fhqqxEQRRY

Fast forward ten years, and DD, back home between semesters, had a recital scheduled in Berkeley for the last day of her break. She had programmed this chorale, J S Bach chorale prelude bwv 639, to be included in the concert. 

She polished it on our piano, and for ten days, it seemed that every time I walked into the room, my funeral music was playing. 

On Saturday January 7^th 2017— she played it for the audience, and it was magnificent.

I figured that now I don’t have to go to, or even be at, my funeral. I can skip it, because I got to hear it already.

PROTOTYPE and SINGULARITY

“Everyone is kneaded out of the same dough,

but not baked in the same oven.”

—Yiddish Proverb

Aside from the notion of whether it is nature or nurture that shapes personality, and with it, destiny, there is something that every writer must struggle with and every reader must decide whether to accept or reject: how stereotypical can a character be before we call the narrative racist, or sexist, or simply poor and formulaic? There is nothing to make the character singular and thus fully fleshed out.

And the other side of the coin is really the same question, only read in reverse: how unusual can a character be before we exclaim that such person would never do this or say that? Would a twelve-year-old use proper archaic English they could have only glimpsed from Shakespeare? Would a four-year-old remember something that happened when they were two? Both are possible, but not typical, and many would say are unbelievable.

I ask, because I have read enough reviews, given reviews, or gotten feedback, and have seen both reactions. “Formulaic,” and “unbelievable.”

Classical musicians face similar balancing dilemmas when interpreting well-known pieces of music. A piece of music must sound different and new, thus it lives. But it can’t be so singular that the composer wouldn’t recognize it, and the listener would have their expectations smashed.

I like the Yiddish proverb above, because it reminds me of this delicate balance: similar, but not the same. Made of the basic stuff, but formed into a different shape.

A delicate, almost undefinable balance. A good visual is the tightrope walker. I think of her as I dialogue with my characters, and pray I don’t miss a step and fall off.

©Tightrope Walker by Seiltänzerin (1913)