Revise & Resubmit

Last week I posted about the sad writerly R. (Rejection L) This post is about the happy one, the Revise & Resubmit Request, known as R&R. J

R&R requests can come from agents, editors, or even critique-partners. For the purpose of this post I will refer to them as Publishing Professionals, or PP for short. Their suggestions can be detailed and clear, (which means specific) or brief and general. They culminate with an invitation to re-submit the revised manuscript.

R&R are happy ‘R’s, because they are another chance to improve. They may turn into a contract, but mostly they are a chance to make the work better, and maybe take a leap in the craft for years to come. A good thing.

I take these seriously, always, no exceptions. I also admit they cause trepidation. Can I manage a revision successfully? Do I understand what the issues are? Is there even a point to try to tackle this thorny thing?

Calm down, now. Take a deeeeep breath. Sleep on it. And then...

...And then I tackle the clearest most manageable suggestions first. I check the issues off as I go, though I will re-examine my checked-off points at the end, again.
One at a time, step by step. The fog clears, and the road is visible.

What if two R&R from two PP come at once, and they are contradictory? I don’t mean somewhat, or generally pointing to different things that need changing. I mean specifically.

Example: PP #1 says the main character’s name is spot-on, and part of why they were immediately drawn to the story and the allusion of the name to a notable cultural phenomenon is brilliant. PP #2 says the main character’s name must be changed, because the allusion to that same specific cultural phenomenon is undesirable.
I give this example, because it has happened to me.

You could choose to make the change and return the manuscript to the one who suggested it. You could choose not to. You could re-submit two different versions to two different PP. You could go and stand on your head for a while until enough blood rushes in and you see more clearly.
My point is these occurrences are reminders that as happy as R&R are, they are not created equally and there is more than one-way to milk a cow.

But please don’t take this as advice about milking, for which I only know one way. For storytelling, there are many ways and then there’s your way. So that’s my final piece of cheese for today: remember the story is yours. Take advice from PP who respect this and treat you as the good writer you are.