{All
right, that title^ is cleverish by half, and lame to boot. But I had to take my
angst out somewhere.}
Agents
and editors may ask for a synopsis. Synopses are most writers’ least favorite
things. Rejections hurt less, some will tell you. Synopses feel like whacking a
seven-layer cake into a pancake. It’s all still there, but the air is out.
Now
that’s done, let’s sympathize with a writer who has just reduced her
fifty-thousand-word lusciously layered lyrical story to five hundred words,
while retaining some of the voice, all of the major plot points, all the major
characters, and giving away the surprise end.
It
was painful.
The
best part about this beast is that even if editors or agents don’t ask for it,
it will help a writer notice major plot holes or weakness in the full
manuscript. Summarizing delineates the arteries of a story.
But
otherwise, they are evil.
There
are a lot of superb sites that give helpful advice about tackling the synopsis.
Here are a few I found helpful:
Here’s
a bit I found helpful that I didn’t see anywhere else. I found that I write an effective synopsis if I had not re-read or
looked at the story for a few weeks.
Yup,
this helps me extract the essence and not be tempted to include many of my
favorite parts. I can see the arc more clearly. It feels less like homework,
and has a clarifying effect.
It works for me, anyhow.
Now
back to work, revising the synopsis. Not funny, Yea. But a necessity.