Why should it be EASY when it can be HARD?

Some weeks ago, at a meeting of writers, I overheard an experienced published writer (I’ll call her Ms. Author) explain the journey to a young hopeful just embarking on the path to publication. (I’ll call her Ms. Newbie.)

“The first thing is to finish writing the book,” Ms. Author said. “But you know, statistically speaking most people who start writing a novel never finish a single one.”

“And then what’s my next step?” Ms. Newbie asked.

“The next step is to find a legitimate literary agent,” Ms. Author said. “But you know, statistically speaking, most writers never get a legitimate agent.”

“And once I get a legitimate, non-fee charging agent, what do I do next?” Ms. Newbie asked, unperturbed.

“The next step is for your agent to sell the book. But you know, statistically speaking most agents don’t sell most books they represent.”

“So if my agent does sell the book, what’s next?”

“Next the book must be a commercial success if you want to sell another. But you know, statistically speaking...”

By this point, Ms. Newbie’s eyes were twice their original size and her mouth was agape.

“It’s hopeless,” she mumbled.

Listening, I had to say something. But another writer (I’ll call her Ms. Wise) chimed in and saved me from a reflexive mumbling attempt at reassurance.

“All true, statistically speaking, “Ms. Wise said. “ Just like life, it’s hard and none of us is getting out of this thing alive. However, it’s a magnificent journey that few wish they’d never started.”

Yes, write your story.

The Truth and Untruth of Statistics

"Figures often beguile me. Particularly when I have the arranging of them myself; in which case the remark attributed to Disraeli would often apply with justice and force: 'There are three kinds of lies: lies, damned lies, and statistics.'"

Mark Twain

{ Chapters from My Autobiography, published in the North American Review in 1906}

And so I find myself, having just finished the fifth draft of a new novel for middle grade readers, staring the stats WORD popped up.

Time was, I wrote long hand, then revised and typed a story, only to ignore the numbers. WORD insisted on telling me the word count, but I looked the other way. I was writing literature, not counting beans.

I remember the feeling of diminishment when I encountered writers who spoke about word counts for different age groups, chapter page counts, and output counts per writing day. Everyone, it seemed, was counting.

I honestly couldn’t figure out why, and determined not to write-by-numbers.

Only they are everywhere. And while they say nothing about the quality of the story or the art of the telling, turns out they do count.

In the business of publishing, they count quite a bit. To quote Agent Jennifer Laughran’s iconic post on the subject, outlier word-counts put her in the mode of  “...I am tying a noose.” I don’t want that responsibility. I also want my work to be considered for publication.

Innovative work should not count these counts. But the numbers will let us know how far off the expected norms we’ve ventured, and then choose to do so knowingly and deliberately.

These Stats still lie in the most fundamental sense of not telling that all’s well, or that I must take some drastic action. The readability statistics only sit there, telling their truth. It’s not an important truth. But it is one I  now look at , just as I look at the WORD program’s mechanical (and often wrong) grammar-check at which end these stats pop up.

For me it is about marching forward having looked at all I could know about what I wrote. It means that if a reader calls the story “too long,” this is not a matter of length but the feeling it drags. The strengths and faults lie in the art, not in the craft. The mechanical checks and algorithmic statistics deserve a glance, and then the option to dismiss or heed from a place of awareness.

Phew, these latest revision stats look okay. But who's counting?