"Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn't." - Mark Twain
My late father used to tell me that fiction is much
more truthful than so-called factual writing. It goes deeper and frees the
thinker/writer to share their truest insights.
I, ever his contrarian progeny, argued that this is
just a fancy way to justify spending many hours reading about others’ flights
of fancy, endless conjuring, and an excuse to play. In this dialogue you could
say I played the grownup and he was the kid who made excuses for why he didn’t
have to grow up.
I used to write short stories. The stories were fictional but based
on bits of reality and, even more, on bits of fictional stories I have read. I
was playing with story telling. But all the while I felt there was something
not quite respectable about this sort of thing.
Historians- now here were the real explorers of
human reality. They had a lot of homework, too. They studied and gathered and
painstakingly put it together. My father was a writer, a poet and a
historian. It was the latter that earned him a living as a teacher.
He had lived a life that itself was an epic chapter
of twentieth century Jewish history, surviving the Holocaust and fighting for
the establishment of Israel all before he was twenty-one. He was urged to
write his memories. He refused, saying, “Autobiographies are exercises in
truth-twisting and self-justification.” Another way of calling these nonfiction
books, essentially, lies.
The
first version of what became The Voice of
Thunder was a short story for adults, largely nonfiction. I was careful not
to stray from what I remembered. I was careful not to go too far afield from
what I had seen with my own eyes. I was careful not to hurt anyone’s feelings.
I was so careful, that it was not much of a story.
Many
years later I went out on a limb, took a few elements from the old story, and
made a fictional story for children. This time, because I had already decided I
will write a fictional story with characters that weren't there or weren't as
I described, the story came together with some deeper and surprising insights.
Surprising to me, the writer.
When
I expanded that story to a novel for pre-teens, the process of adding fictional
characters, have them speak and do things I had no idea they could, was nothing
less than shocking. Where did this come from?
I
was finally telling the truth, while the story was much more fiction.
This
time, too, you were right, father.