Having
just completed the fourth draft of my work in progress (=WIP) and with two beta
readers’ feedback to help navigate the last two drafts, I can now assess what
an anomaly this current WIP has been.
I
was never a true planner. I have a writing friend, a published novelist, who
not only fully charts all the details, plot points and characters of her stories
before she begins typing the first paragraph, but if she finds that her writing
has so much as begun to stray off the planned course, she deletes those pages
and gets back on the road she had marked.
I
can’t imagine writing this way. Too much like the homework back in school days:
I know I must do it, I have a feeling of satisfaction when it’s done, but the
work itself is torture, if you find extreme tedium torturous.
I
know two writers who are complete pansters, (=writing by the seat of their pants) no plan whatsoever. They sit down to a writing session with no idea what will
appear on the screen/page. Stephen King claims to be one. He sits to write in
order to find out what will happen next. This is successful only for those who
have so ingrained story structure in their creative mind that it turns out
brilliantly, or at least not a complete going-nowhere-mess.
Panstering
is very much like a flying trapeze without a safety net.
I
had attempted this once a few years back and gave up after the first chapter.
I then sat down to make a rough chart and proceeded as I usually do. I follow the
chart loosely, discovering some surprises along the way but basically staying
the charted course. Some call this “discovery writing.” It’s a plan that is not
detailed, and the details are spontaneous and immensely enjoyable parts of
the process.
I
started my current WIP this way. But this time, right after the first chapter,
the story went its own way. I had so completely lost control of this galloping
horse that I didn’t stop to glance at my charted plan. What was happening on
the page bore little resemblance to my plan.
It
was as if I attached the reigns of a trusted old workhorse to a carriage. Once
we left the carriage house, the horse began to gallop. To my horror, I
discovered it was not the horse I thought I had attached, but a wild stallion. I
was driving a carriage that a young wild horse I'd never met before had taken over. I had no control.
I’d
start every writing session dreading where it was going. I had no idea where it
would end.
Well,
it did end. A second draft surprised me, because it sort of held together.
What’s
next? Who knows. But it’s been an experience.
Some love the excitement and thrill of discovery with a first draft. Not me. Feeling out of control of the story makes me write badly. But I can't do the strict control with outlines and charts. I will admit to occasionally putting together a rough story outline early in the process.
ReplyDeleteAh the perils of writing! Either way is fraught with its own set of unique problems. I definitely need to know the major landmarks along the way. Writing in the dark is like driving in the dark--too scary. Even with headlights.
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