Motivation—the kind that propels our actions (such as my
writing this post) is key to a good story.
As a Beta reader, I have read manuscripts that had the plot
move in just the right pace with all the arc points reached as a good story
requires, and with the bonus of some surprises. “Save the Cat” and other how-to
books on storytelling have done their job, and writers know what are the
considered “must-haves.”
I’ve read some stories where the setting was interesting,
the main character fully fleshed, and the descriptions added color in just the
right amount. These are the craft aspects of good writerly executions.
But what is often not fully attended to is the motivation.
Specifically, all the major characters’ motivations. This is most true with the
so-called “quiet” stories, the ones that are reflective and capture a moment in
time. Lyrical, lovely, just stop and smell the lilacs. All good. But what
happens if the main character doesn’t?
Some refer to this aspect as “the stakes.” In stories where
the stakes are not what drives them, there should still be a reason for
characters to act the way they do, and the reasons should be compelling.
So, motivation. Reminder to self: a strong motivation drives
the vehicle. Step on the internal gas pedal.
Good one, Mirka. I often have a notes document open along with my main doc for the story, where I ask questions and in the end it's always about why, why, why.
ReplyDeleteGood reminder. Something I probably need to work on. If I have the motivation... :)
ReplyDelete